https://bandcamp.com/stream_redirect?enc=mp3-128&track_id=838128915&ts=1544315277&t=600d07e092e7f30851968638b89b40be8a09af6f?plead=please-dont-download-this-or-our-lawyers-wont-let-us-host-audio

gothiccharmschool:

gothiccharmschool:

Listen/purchase: Hallow by Dirty Knobs

Oh, this is perfect for a haunted house. 

(Thank you to Warren Ellis, who talked about them! That’s how I discovered them.)

At this stage in the dayjob deadline (ahahahaha Friday), it is time to listen to creepy haunted house noises.

(I’ll probably be binging on the bandom playlist by Thursday.)

Everfair: a diverse, ambitious steampunk novel of Fabian socialists and American Black Zionists in Belgian Congo #1yrago

mostlysignssomeportents:

Though Everfair is Nisi Shawl’s debut novel, it’s also been a hotly anticipated book for years, as Shawl is the co-author of Writing the Other, a seminal book about diversity in prose; and is a much-respected critic and teacher. The book was worth the wait.

Everfair is a novel that braids the life-stories and ambitions of some of histories bravest heroes and most ignoble villains. It begins in King Leopold II’s genocidal Congo Free State, where mercenaries kidnap and maim black Africans to force them to literally work themselves to death harvesting rubber, the original conflict material whose extraction formed a template for the many brutal extractive industries that were later to come.

Shawl imagines that Leopold was enticed to sell some of “his” kingdom to a group of English Fabian socialists – the precursors to the Labour Party – who divert funds that (in our timeline) was used to found the London School of Economics to form a utopian community in company of Black Zionists from America who are led by a black civil war veteran who dreams of a place where black Americans can be free of the legacy of slavery.

The new land, Everfair, becomes the home of many of the people who normally form the background mass, spear carriers and bit-players of steampunk narratives: escaped rubber-plantation slaves, Chinese coolie laborers who were kidnapped to build Leopold’s railway, the distressed African royalty whom Leopold deposed, the maimed women and children of the rubber slaves.

These characters are put front-and-center in Shawl’s narrative, which traces an alternate history in which a combination of traditional Congolese magic and hypothetical secret science of radioisotopes allows the Everfairers to beat back Leopold with high-tech blimps, crewed by the maimed ex-slaves who have been fitted with steam-powered, superhuman mechanical prostheses.

This setup gives Shawl a natural background on which to play out the internal, interpersonal conflicts of race, gender, class, and gender orientation against the geopolitics of the First and Second World Wars, the anti-colonial uprisings of the period, and the dislocations of technological progress.

It makes for a heady and sometimes challenging tale, one that blends swashbuckling zeppelin battles with visceral, awful scenes of slavery and its aftermath. It’s a steampunk novel not quite like any other, and a story that only Shawl could tell.

I listened to Everfair on Tantor Media’s unabridged, DRM-free audiobook edition, and was extremely impressed with Allyson Johnson’s reading, which manages to do justice to the wide variety of linguistic backgrounds, ages, and genders of Shawl’s massive cast of characters.

Everfair [Nisi Shawl/Tor]

https://boingboing.net/2016/10/26/everfair-a-diverse-ambitious.html

treesinspace:

treesinspace:

Honestly, for a criminal in Ankh-Morpork, being pursued by Samuel Vimes must be TERRIFYING
Just imagine:

You’re walking in the Shades.
There’s no one around and your gang is gone.
Out of the corner of your eye you spot him:
Samuel Vimes. 

He’s following you, about thirty feet back.
He gets out of the shadows and breaks into a sprint
He’s gaining on you!
Samuel Vimes.

You’re looking for your gang but you’re all turned around
He’s almost upon you now
and you can see there’s blood on his face
My Gods, there’s blood everywhere!

Running from Commander Samuel Vimes
He’s brandishing his badge it’s Samuel Vimes
Lurking in the shadoooows!
His Grace the Duke of Ankh Samuel Vimes
Patrolling the streets (Samuel Vimes)
Solving all crimes (Samuel Vimes)
Arresting the guiltyyyy

Actual By-The-Book Samuel Vimes!

Now it’s dark and you seem to have lost him
but you’re hopelessly lost yourself.
Stranded with the Blackboard Monitor!
You creep silently through the streets

Aha! In the distance!
An old safehouse of your gang friends!
Hope! You move stealthily toward it…
but your scent! Ah! It’s caught by a werewolf!

Covering your tracks (Quiet, quiet)
Sneaking to the safehouse (Quiet, quiet)
Now you’re on the doorstep
Sitting inside: Samuel Vimes

Lighting a Cigar (Samuel Vimes)
He’s coming to arrest you (Samuel Vimes)
You’re taking out your weapooon
Threatening Commander Samuel Vimes

Moving in to fight with Samuel Vimes
Get kicked in the crotch by Samuel Vimes
Puking on the floooor
Arrested by Samuel Vimes!

You limp into the dark streets
Handcuffs tight around your wrists
And he has won; you’ve been beaten by
Samuel Vimes.

gothiccharmschool:

haus-of-grotesque:

dame-wolf:

theforestgoth:

breelandwalker:

witchsmoke:

necromouser:

ghost-nettle:

hagothehills:

raven-star7:

punkrock-witch:

selfcarespells:

folksywitchery:

witchy-words:

cunningcelt:

themodernsouthernpolytheist:

breelandwalker:

ghost-nettle:

Under A Violet Moon or The Circle by Blackmore’s NIght

All Souls Night and The Mummer’s Dance (single version) by Loreena McKennitt

Witch’s Rune and Song of the Witches by S.J. Tucker

Beltane Fires and The Ballad of Grace Sherwood by Coyote Run

Green and Grey and On Midwinter’s Day and The Cauldron Born by Damh the Bard

Mists of Avalon and Serpent Mound and The Directions Song by Kellianna

“Bottom of the River” and “Dance in the Graveyard” by Delta Rae
“Falling” by First State
“Like a Stone” by Audioslave
“Milk and Cookies” by Melanie Martinez
“The Railway House” by Patrick Wolf
“Black Velvet” by Alannah Myles

Just a few off the top of my head

Anything by Stevie Nicks

Seven Devils – Florence + The Machine
O Death – Jen Titus
I Will Never Die – Delta Rae
The Host of Seraphim – Dead Can Dance
The Humbling River – Puscifer

I agree with I Will Never Die by Delta Rae and everything by Stevie Nicks! My additions:

Colour of Moonlight (Antiochus) by Grimes, Doldrums
Moon by Omnia
Xtatica by Omnia
Wild Horses by Bishop Briggs
Pyre by Son Lux

Belispeak by Purity Ring.

Witchy Woman by The Eagles and Rhiannon by Fleetwood Mac!

Rhiannon by Stevie Nicks
Silently Conjure by Unwoman
Voodoo by Godsmack
The Mystic’s Dream by Loreena Mckennitt
Witchy Night by Nico Vega
Which Witch by Florence and the Machine

Witches by Inkubus Sukkubus
The Mystic’s Dream by Loreena McKennitt
The Gates of Istanbul by Loreena McKennitt
Bjarkan by Wardruna
Solringen by Wardruna
Daemonos by Daemonia Nymphe
How Soon is Now by Love Spit Love
If I had a heart by Fever Ray
Wolf by First Aid Kit

The Circle and Under a Violet Moon by Blackmore’s Night
Howl by Florence + The Machine
Storm’s Comin’ by the Wailing Jennys 

Opium – Dead Can Dance
Mummers Dance – Loreena Mckennit
Get Some – Lykke Li
My mother was the moon – King Dude
Walpurgisnacht – Faun
Oh My My – Ruelle
Bells, Books, and candles – The Craft Soundtrack
Fee Ra Huri – Omnia

Harmless Monster, The Moon Asked the Crow, and Smokey Taboo by CocoRosie
Wrong Side of the Road and Just the Right Bullets – Tom Waits
Me and The Devil – Soap&Skin
Mystery – Dio
The Wolf is Free – 

Lily & Madeleine

Cupid Carries A Gun – Marilyn Manson
A Little Wicked – Valerie Broussard
Wicked Ones – Dorothy
Burn the Witch – Queens of the Stone Age

All Souls Night – Loreena McKennitt

Rhiannon – Fleetwood Mac

Witch’s Rune – S.J. Tucker

Linger, Dreams – The Cranberries

Witching Hour, Spirits Light The Way – Esoterik

Pretty much any goth music that’s floaty and mystical you can dance to (especially darkwave)

Umai – Shireen

Auta Luonto, Cernunnos, Moon, Niiv, Xtatica, Wytches’ Brew by Omnia

Helvegen, Laukr, Solringen by Wardruna

Trøllabundin, Í Tokuni (or Into The Mist if you want the English version) by Eivør

Mordred’s Lullaby – Heather Dale

2 Falken, Diese kalte Nacht, Hörst du die Trommeln, and Walpurgisnacht by Faun

Brictom, Dessumiis Luge, and Isara by Eluveitie

Medicine Chant by Anilah

Ämmänhauta by Korpiklaani

ANCIENT WITCH

1. return of the she-king: Dead Can Dance

2. Mesmerism: Dead Can Dance

3. Aidu: Eluveitie 

4. Sirena: Faun

5. Samhain: Trobar de Morte

6. Isa – Wardruna (YESSS)

7. Eg Fele: The Moon & the Nightspirit

8. Hope: Eluveitie 

9. Kroppar: Valraven

10. Within the Grove: Eluveitie 

11. The Mystic’s Dream: Loreena McKennitt

12. Warrior: Anilah

13. Ancient Pines: Loreen McKennitt

14. Medicine Chant: Anilah

15. Gjallarhorni: Corvus Corax (Ancient Celtic Witch!!)

17. Alfadhirhaiti: Heilung

18. Morgana: Trobar de Morte

19. Bauglir: Summoning 

20. Deo’s Erotas: Daemonia Nymphe

21. Svitjod: forndom

22. Redemption (album): Ennoven

23. Sabhal Ia’n Ic Uisdean: Tannas (its in scottish gaelic and makes me happy ok dont laugh, I love all celtic music the more bagpipes the better tbh)

So many good songs listed above by others that I would also include ^^^^

Eight of Swords – Huntress

Spelleater – Huntress

Fires At Midnight – Blackmore’s Night

Shadow of the Moon – Blackmore’s Night

I Am The Goddess – Lisa Thiel

Song To Inanna – Lisa Thiel

Wytches Chant – Inkubus Sukbus

Lily – Kate Bush

The Chorus of the Furies – Faith and the Muse

Big Furry Head – Amon Tobin

Under the Fate of the Blue Moon – Jill Tracy

Death is the Ultimate Woman – Monica Richards