Though Everfair is Nisi Shawl’s debut novel, it’s also been a hotly anticipated book for years, as Shawl is the co-author of Writing the Other, a seminal book about diversity in prose; and is a much-respected critic and teacher. The book was worth the wait.
Everfair is a novel that braids the life-stories and ambitions of some of histories bravest heroes and most ignoble villains. It begins in King Leopold II’s genocidal Congo Free State, where mercenaries kidnap and maim black Africans to force them to literally work themselves to death harvesting rubber, the original conflict material whose extraction formed a template for the many brutal extractive industries that were later to come.
Shawl imagines that Leopold was enticed to sell some of “his” kingdom to a group of English Fabian socialists – the precursors to the Labour Party – who divert funds that (in our timeline) was used to found the London School of Economics to form a utopian community in company of Black Zionists from America who are led by a black civil war veteran who dreams of a place where black Americans can be free of the legacy of slavery.
The new land, Everfair, becomes the home of many of the people who normally form the background mass, spear carriers and bit-players of steampunk narratives: escaped rubber-plantation slaves, Chinese coolie laborers who were kidnapped to build Leopold’s railway, the distressed African royalty whom Leopold deposed, the maimed women and children of the rubber slaves.
These characters are put front-and-center in Shawl’s narrative, which traces an alternate history in which a combination of traditional Congolese magic and hypothetical secret science of radioisotopes allows the Everfairers to beat back Leopold with high-tech blimps, crewed by the maimed ex-slaves who have been fitted with steam-powered, superhuman mechanical prostheses.
This setup gives Shawl a natural background on which to play out the internal, interpersonal conflicts of race, gender, class, and gender orientation against the geopolitics of the First and Second World Wars, the anti-colonial uprisings of the period, and the dislocations of technological progress.
It makes for a heady and sometimes challenging tale, one that blends swashbuckling zeppelin battles with visceral, awful scenes of slavery and its aftermath. It’s a steampunk novel not quite like any other, and a story that only Shawl could tell.
I listened to Everfair on Tantor Media’s unabridged, DRM-free audiobook edition, and was extremely impressed with Allyson Johnson’s reading, which manages to do justice to the wide variety of linguistic backgrounds, ages, and genders of Shawl’s massive cast of characters.
picking RPG clothes based on maxing stats instead of whether they match or not
[*rpg music playing as gear gets picked* boss (wearing paper crown): so you’ve finally… arrived… what the hell are you wearing? player character: it’s my ass kicking outfit, bitch!]
picking RPG clothes based on maxing stats instead of whether they match or not
[*rpg music playing as gear gets picked* boss (wearing paper crown): so you’ve finally… arrived… what the hell are you wearing? player character: it’s my ass kicking outfit, bitch!]
Honestly, for a criminal in Ankh-Morpork, being pursued by Samuel Vimes must be TERRIFYING Just imagine:
You’re walking in the Shades. There’s no one around and your gang is gone. Out of the corner of your eye you spot him: Samuel Vimes.
He’s following you, about thirty feet back. He gets out of the shadows and breaks into a sprint He’s gaining on you! Samuel Vimes.
You’re looking for your gang but you’re all turned around He’s almost upon you now and you can see there’s blood on his face My Gods, there’s blood everywhere!
Running from Commander Samuel Vimes He’s brandishing his badge it’s Samuel Vimes Lurking in the shadoooows! His Grace the Duke of Ankh Samuel Vimes Patrolling the streets (Samuel Vimes) Solving all crimes (Samuel Vimes) Arresting the guiltyyyy
Actual By-The-Book Samuel Vimes!
Now it’s dark and you seem to have lost him but you’re hopelessly lost yourself. Stranded with the Blackboard Monitor! You creep silently through the streets
Aha! In the distance! An old safehouse of your gang friends! Hope! You move stealthily toward it… but your scent! Ah! It’s caught by a werewolf!
Covering your tracks (Quiet, quiet) Sneaking to the safehouse (Quiet, quiet) Now you’re on the doorstep Sitting inside: Samuel Vimes
Lighting a Cigar (Samuel Vimes) He’s coming to arrest you (Samuel Vimes) You’re taking out your weapooon Threatening Commander Samuel Vimes
Moving in to fight with Samuel Vimes Get kicked in the crotch by Samuel Vimes Puking on the floooor Arrested by Samuel Vimes!
You limp into the dark streets Handcuffs tight around your wrists And he has won; you’ve been beaten by Samuel Vimes.
Under A Violet Moon or The Circle by Blackmore’s NIght
All Souls Night and The Mummer’s Dance (single version) by Loreena McKennitt
Witch’s Rune and Song of the Witches by S.J. Tucker
Beltane Fires and The Ballad of Grace Sherwood by Coyote Run
Green and Grey and On Midwinter’s Day and The Cauldron Born by Damh the Bard
Mists of Avalon and Serpent Mound and The Directions Song by Kellianna
“Bottom of the River” and “Dance in the Graveyard” by Delta Rae “Falling” by First State “Like a Stone” by Audioslave “Milk and Cookies” by Melanie Martinez “The Railway House” by Patrick Wolf “Black Velvet” by Alannah Myles
Just a few off the top of my head
Anything by Stevie Nicks
Seven Devils – Florence + The Machine O Death – Jen Titus I Will Never Die – Delta Rae The Host of Seraphim – Dead Can Dance The Humbling River – Puscifer
I agree with I Will Never Die by Delta Rae and everything by Stevie Nicks! My additions:
Colour of Moonlight (Antiochus) by Grimes, Doldrums Moon by Omnia Xtatica by Omnia Wild Horses by Bishop Briggs Pyre by Son Lux
Belispeak by Purity Ring.
Witchy Woman by The Eagles and Rhiannon by Fleetwood Mac!
Rhiannon by Stevie Nicks Silently Conjure by Unwoman Voodoo by Godsmack The Mystic’s Dream by Loreena Mckennitt Witchy Night by Nico Vega Which Witch by Florence and the Machine
Witches by Inkubus Sukkubus The Mystic’s Dream by Loreena McKennitt The Gates of Istanbul by Loreena McKennitt Bjarkan by Wardruna Solringen by Wardruna Daemonos by Daemonia Nymphe How Soon is Now by Love Spit Love If I had a heart by Fever Ray Wolf by First Aid Kit
The Circle and Under a Violet Moon by Blackmore’s Night Howl by Florence + The Machine Storm’s Comin’ by the Wailing Jennys
Opium – Dead Can Dance Mummers Dance – Loreena Mckennit Get Some – Lykke Li My mother was the moon – King Dude Walpurgisnacht – Faun Oh My My – Ruelle Bells, Books, and candles – The Craft Soundtrack Fee Ra Huri – Omnia
Harmless Monster, The Moon Asked the Crow, and Smokey Taboo by CocoRosie Wrong Side of the Road andJust the Right Bullets – Tom Waits Me and The Devil – Soap&Skin Mystery – Dio The Wolf is Free –
Lily & Madeleine
Cupid Carries A Gun – Marilyn Manson A Little Wicked – Valerie Broussard Wicked Ones – Dorothy Burn the Witch – Queens of the Stone Age
All Souls Night – Loreena McKennitt
Rhiannon – Fleetwood Mac
Witch’s Rune – S.J. Tucker
Linger, Dreams – The Cranberries
Witching Hour, Spirits Light The Way – Esoterik
Pretty much any goth music that’s floaty and mystical you can dance to (especially darkwave)
Umai – Shireen
Auta Luonto, Cernunnos, Moon, Niiv, Xtatica, Wytches’ Brew by Omnia
Helvegen, Laukr, Solringen by Wardruna
Trøllabundin, Í Tokuni (or Into The Mist if you want the English version) by Eivør
Mordred’s Lullaby – Heather Dale
2 Falken, Diese kalte Nacht, Hörst du die Trommeln, and Walpurgisnacht by Faun